First the replica of a physical object. If there are hundreds of thousands of
something that is produced, are any of them unique or original? Some would say no, while others would say
yes. For those that say no, if there are
thousands of the exact same object, lets say a teddy bear, then no single teddy
bear is unique. But for those that say
yes, they understand how experiences and personal attachment can turn a mass
produced teddy bear into a unique and one-of-a-kind teddy bear. If someone were to lose their one-of-a-kind
teddy bear, even if you could buy the exact same one again, it would not be the
same, it would be a replacement. Like
what is described in The Work of Art in
the Age of Mechanical Reproduction by Walter Benjamin, “Even the most
perfect reproduction of a work of art is lacking in one element: its presence
in time and space, its unique existences at the place where it happens to
be.” This explains why it is so hard to
replace something that we value. The
value an object has is created most times from the memories that are associated
with that physical object.
This
idea can also be seen in artwork or photography. First let’s discuss historical works of art
like the Mona Lisa. There is only one
true version of the Mona Lisa. You would
have to physically travel to Paris and then probably stand in a very long line
for who knows how long, until you got your turn to actually see the original
work of the Mona Lisa. However, if you
were to ask any random person on the street, chances are they would say they
have seen some version of the Mona Lisa.
Our ability to copy and replicate just about anything has increased the
amount of access given to certain things.
Most of the population would not be able to afford to make a trip to go
see the Mona Lisa, but just about anyone could pull up Google and see hundreds
of different copies of the Mona Lisa. Is
there really a difference between these two ways of seeing the work of
art? Of course there is! The replicas all lack the “aura” that the
original piece of work includes. Only
originals are said to have this “aura.”
So any copy that is made is lacking a big part of the artwork. Although the one benefit to these replicas,
like stated before, is the open access it gives to just about everyone.
But
then there is photography as an art itself, also relating to experiences. Photographers make a living by making
replicas of something they get to see first hand, or at least through their
camera lens. We all have a photograph
hanging in our house somewhere that we did not take, but yet we find comfort in
feeling like we were there to experience the moment even though we were
not. Photographs are essentially a copy
of whatever it is the photographer is shooting.
Say it’s a wedding that they are at.
You could get photos from a wedding and they could make you feel like
you were there. Perhaps the photo is of
some beautiful landscapes up in Alaska.
You may never have been to Alaska, but these photos make it seem like
you were almost there. Photography is
one of the biggest ways in which we are able to make replicas of things,
places, or events for others to also enjoy.
It again opens up access of so many things and places that most people
don’t have readily available at their fingertips. Some think this is a great advancement, but
others feel like it is not the raw experience of actually seeing these things
first hand for themselves. All these
photos lack the feelings, personalities, smells, and sounds that are noticed if
you were to actually be experiencing these things yourself. These things essentially create the “aura”
just like physical objects might have.
Everyone
has a different view on the idea of replicas and copies of certain things. And many people are split on the idea. They might accept photography as an
acceptable form of replication, but they might not like things that are mass
produced because there are so many that are the “same” or considered to be the
same. While they are two different
things, they can easily be compared and are more similar than some people are
willing to accept. Are people missing
out if they don’t own the original or experience the “original” experience? Sometimes they are, but sometimes a replica
or copy is just fine. This might seem a
little dark, but think of tragic events in our history or personal lives. Do you want to actually be in the actual war
territory during war, or are you satisfied with photos that are sent back,
which are essentially copies of the experience?
Most of us would probably agree that the photo is an acceptable form in
this instance. But on the other hand,
what if it was your daughter’s first birthday, do you want to be there in
person, or do you want a “copy,” (a picture), of your daughter blowing out the
candle instead? Here the original is
much more desirable.
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